Sunday, November 22, 2020

The Best of Times




One day I just went inside and never got out till now.
At least that was the plan, and I was eager to try, following the model of the Chinese city of Wuhan where people were forced to stay indoors for over two months. I am used to stay in - some days I need to kick myself in the *** to go out for some exercise, see the sun, meet people.
On the last meeting at Hapina Cafe, knowing that the virus was raging, a group of friends discussed the possibility of self-quarantine and we all agreed that as artists, we'd have no problem to stay home for two weeks.
So in I went and then began producing, one by one, all that was on my to-do list. But occasionally I did go out, not only because it was allowed but, because I prefer buying fresh, because I thought it's not necessary to act just out of fear.
At intervals I was making small works from my balcony and window.




Then I got busy with an old theme. This imaginary statue I placed  in Khayat Orchard, promising that it would guard and save us from disease and other misfortune.






Now after a second lockdown, life returns gradually, not too soon I hope. Life cannot be stopped: I have been creating grim images of looming disaster (that's one way to look at it) but also cheerful colorful scenes of the life I left behind hoping to return to it one day, or not.

New York is calling twice a week; my friend in Yonkers, who kept telling me that I should come visit, realizes now that it will be a while before such a possibility presents itself. But if that's really the case, if the old ways are gone not to come back, ever, I think we'll all adapt, and see what IS there, because a new world emerges from the ruins of the old one. We're still here, and living in interesting times.