The Long Hot Summer

The good thing about a residency at the end of the world (for all practical purposes, not *really) is that I can concentrate on my work: there are no temptations: city's too far and train's too expensive and I feel time will run out on me before I get to where I want to be: which is - what?...
No, I didn't know in the beginning, I only knew I wanted a Big change.
Very much thanks to the heat wave of about 3 weeks, we had a sunny day every day. Much better than rain every other day, which is the usual practice of Swiss summers, they tell me.
At first I went out a lot, but the heat was too heavy to bear sometimes. And then I opened my eyes to the beauty of the studio itself. Not that I didn't see it before: but the view from the window of majestic mountains and trees and rooftops distracted me just a little bit.
The studio is a loft space complete with wooden beams supporting the roof high above - maybe 8 meters high? - and slowly I got the idea I should paint it, rather than *from* it. And I did - first with pencils, just to get the structure right, then with watercolor and markers.

With the first drawings I figured it all out, with the markers I let go of the  idea of ever getting it right.

Then I pushed reality even further away

But staying in Trelex was a great blessing. I was aiming for that which draws people to such a refuge in the first place - an insight, a few new ideas, the beginning of something that may have long lasting influence on the way I look at things and draw them.
So I wish to thank Nina Rodin again for her great idea which she brilliantly put into practice: artists helping artists in any way they can. It was an unforgettable summer, and as the pictures below (all made in Haifa in October) show - the story is just beginning.

Trelex Times

A Residency made in Heaven

It all started in late 2014. My friend Ora Ruven recommended I contact artist Nina Rodin for a free residency she's been offering in Trelex, Switzerland, saying "I know you like these things". And surely I do (Free residency! Switzerland!), so I wrote immediately and got to stay 6 weeks in the summer.
If you looked  at the website and read some you may think - oh, how nice. Well you have no idea how. It's my third week here,  and I am still finding out more about the possibilities of using my time here - everything, just everything, overflows or grows on trees. You just tune in and bathe yourself in calm delicious waters, ideas, beauty, serenity and inspiration.


I wasn't sure how much I would like Switzerland. Italy was still on my mind from my previous trip. Its northern neighbor looked much less colorful,  the architecture of old villages here mimics the mountain ranges with their pointed slopey tops. Often cloudy and rainy, much fewer people in the  streets, pricey of course. That was my first impression. But then I arrived into the micro-country of Trelex and things changed. In short, we (there usually are two artists or more at the same time) can use the residency in any way we like, there are no restrictions. There's ample materials to use in the studio itself and a zillion appetizers in the nature outside, even looking through the windows. What really started me up, strangely enough, was an innocent set of color markers left by one or more of the previous artists. The other thing was the heat wave - a long week of ever increasing temperatures, which forced me to wander away from the house into the woods, where I would sit under the heavy shade and look around me. The following works all from the same window show my progress with markers.

Trelex Residency garden

Trelex Residency garden

Another view of the same corner of the garden

Then I went to look out the other window...

Again started in pastel, then (below) pen and watercolor

And the outdoors, just  a few minutes away from the house.

Same view in markers (below) and pen and ink (above)

Finally, wandering about to the forest and some nearby places that look like it...

Watercolor, postcard size

Pen and ink, postcard size

Markers