I still work from the old sketches and images of Bourbonne but I also started to integrate BG into the local scene. It just pops up here so very often inviting me to take a look, take a picture and see the world differently.
Haifa is beautiful sometimes with its unintentional coloring against clear blue skies, such as here:
But I do prefer it in the darker corners, like the market place that still needs a lot of cleaning and seems to me always in total chaos, set aside its liveliness and raw beauty in places; or a half abandoned office building where people still come for their shopping, bored doorman at the entrance, a surprising slow elevator to nowhere, and a church for the caregivers who come to work here all the way from the Philippines or elsewhere.
This is the square just before that building, drawn with glass markers on - well - glass.
I did this scene a few times, this one is pencil
But it is still new, the idea of Haifa broken glass, and I am studying it and contemplating it and making space for new ideas.
Another take - on plexiglass - of the scene in France, by now I may have painted it 100 times or more from various angles.
The above work is oil paint and scratch/sgraffito, again that place in France as well as all of these recent watercolors.
This is the square just before that building, drawn with glass markers on - well - glass.
I did this scene a few times, this one is pencil
But it is still new, the idea of Haifa broken glass, and I am studying it and contemplating it and making space for new ideas.
Another take - on plexiglass - of the scene in France, by now I may have painted it 100 times or more from various angles.
The above work is oil paint and scratch/sgraffito, again that place in France as well as all of these recent watercolors.
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